高考英語作文 玩偶之家娜拉出走以后續(xù)寫
更新時(shí)間：2024-05-23 21:11:54作者：貝語網(wǎng)校
高考英語作文 玩偶之家娜拉出走以后續(xù)寫English composition
以下是翻譯的英文版本內(nèi)容：
The Doll's House Nora left after the sequel 1
With a bang, the door closed and Nora left Helmo. This is not only a loud slap in the face to Haier, and even the patriarchal society, even the money worship society a loud slap in the face. But what happened to Nora after she left
Is to return. To me, there are two possible endings to Nala.
One, remarry to another man. Nora does not hate all men, but hate people like Helmo, she is likely to be happy with other things, hang a family. In fact, Nora still has a certain pursuit of love, but it also reflects that at that time Nora still had to rely on men, after all, at that time women can not be economically independent like the present, which is further unexpected
The scourge of a patriarchal society.
Two, because can not stand to live and commit suicide. This is the last thing I want to see, but this ending will be a blow to the patriarchal society. Nora after eight years of marriage for a long time at home, little social contact, can not fully understand the development of society, it is difficult to find a suitable decent and can support themselves, and even may do dishonorable things in order to make a living, and eventually go to a dead end because of life. This also shows that at that time, it was difficult for women to live completely independently, and the evil capital was also the last straw after crossing them, and in the patriarchal society, it was difficult for women to have the opportunity to show their head
If Nora, living today, then she is very likely to have a good ending, leaving people like Haier MAO, the educated Nora is entirely likely to find a job in today's society, discrimination against women is less, women are also actively active in every post, the Chinese women's football team won the Asian Cup, reflecting the female character, and now women also have a strong sense of independence. It is believed that in the future, we can truly build a society of equality between men and women, and there will be less of the envisaged outcome of the above Nora
The Doll's House Nora left after the sequel 2
The door closed downstairs.
Nora, walking quickly down the street alone, her suitcase clicking against the hard ground, was the only sound she made along the way. It was cold, her mind was in a mess, and she didn't know where to go or what to do next. The wheel of the suitcase touched the stone, struck it, and the sound shook a little, twisting in the air. Nora was tired, she wanted to rest, the fire in her heart somehow, as if it had been blown away by the cold wind. Can we go back without knowing where the road is? Back to the house of false love?
Nora looked around. There was a tavern around the corner. She went in. She wanted to think about it.
The tavern was very lively, men holding women's hands in the dance, Nora went to a place without light and sat down, asked for a cup of whiskey, the wine was very strong, she shivered. The music sounded good, she thought: it used to be the same with Torval, who took her by the hand and danced to the hot dance, and wore the most beautiful dress in the world, dancing and spinning, and sometimes Torval held her in his arms and let her kiss her ear and say, "Dear, little lark." At that time, she could not leave Torval herself, wanted to keep close to him, and whenever she jumped, Torval would gently tug her hand and let her snuggle against him, so warm, she had thought that it was the only blessing in the world.
Nala inadvertently raised the corners of her mouth, but when her eyes once again fell on the body of those dancing girls.
The men embraced their companions as Torva had embraced Nala, and the women, who had figures just as beautiful as himself, moved in circles and tapped to the song, and then the men gently pulled them from behind and kissed and embraced them.
Nora thought she looked at the scene, why this scene is familiar, every movement, every laugh, as if at some point in her own life repeated, staged.
She seemed to be the same as the women, Torval seemed to be the same as the men, everyone was the same, like shadows. Every corner of the world is the shadow of each other. One pair, one pair, those women covet men's shoulders, and men enjoy women's snuggles, without exception.
The world is in a mess, Nora felt shivered, we are repeating others have been, men are similar, women are close, then who am I?
"Dance, I'm going to dance." The whiskey glass breaks, and Nala enters the scene. ()
Nora walked to the center of the hall, she had no partner, she did not need a partner, the music gradually became hot, she began to spin, open her arms, maybe the wind whistled past her ears, unruly, free! She turned faster and faster, her laughter grew louder and louder, it was a moment she had never felt before, this moment she was different from everyone, the men and women were amazed at her, the eyes were strange, but how could Nora care? Her feet danced with the music, her hands danced with the music at will, no one would hold her when she rose, let her gorgeous curtain call. This feeling is freedom, is flying merrily in the woods of the lark.
Nora is not going to worry about the work of tomorrow's survival, what Korokostie, what Torva, let him go with the wind!
The sun will rise, tomorrow is another day! Nala, the new Nala! She's not a shadow!
The Doll's House Nora left after the sequel 3
The sound of the door closing woke the night, and the birds perched on the treetops by the road were frightened to fly away. In the silence of the night, Nora carried her little travel bag and pressed her hat against the wind. The wind was blowing hard, as if it were tearing at Nala, who was going against the wind, but more as if Helmo were stretching his hands to grab her back.
"No," the voice in Nora's head drowned out the howling wind in her ears, drowned out Helmo's call. The shawl flapped at her in the wind, as if urging her to walk faster. Nora followed her memory to find the direction of Cristina's house, and as she got closer to her destination, Nora felt her heart pounding.
Her heart beat faster and with more excitement than at any moment in her eight-year marriage to Helmo. More and more, she felt her heart leap out of her body and embrace this rare moment of freedom in her life. Nala knocked at the door, and soon Cristina, sleepy-eyed, looked quizzically at the dusty but blushing Nala. Cristina glanced at her neatly dressed and carrying her handbag and immediately understood something. She did not speak, but hurried Nora into the house.
Warm indoor air enveloped both men. Nora let out a long breath, let go of her handbag and held Kristina tightly with open arms. The emotions that had been tense poured out, and Cristina felt Nora's tears wet her shoulders. She cried silently, but a desperate sadness overflowed from her broken body. She patted Nora's trembling back gently, carefully.
After crying, Nora took the handkerchief Christina handed her and wiped her red and swollen eyes. Watching Christina bring the freshly brewed black tea and put it in front of Nora.
It was a long time before Cristina asked, "Are you done?" "Yes, it's over forever." Nala's red eyes were filled with a cool glow again. Cristina then asked, "What are you going to do?" "I wanted to go back to my hometown, but I really didn't want to give up the freedom I had come to. Leaving a control freak, returning to a control freak -- my father." Nora dropped her head, her face obscured by the shadow cast by her hat. Cristina put her hand on her shoulder and said, "I'll think about it tomorrow, it's already late." I'm sure sleep will make you feel better." Nora, realizing her kindness, no longer put off, but followed her upstairs to the guest room.
Told her good night and locked the door. Nala took off her hat and shawl. The time alone embraced her again, and she suddenly felt very tired. He fell into a chair by the window and looked out at the cold moonlight and the sparkling water in the moonlight. She remembered that she had just tried to kill herself by drowning herself in water for Helmo, and as if amused by her own folly, Nora smiled a bitter smile.
I don't know if it's the black tea or the heavy moonlight. She didn't sleep all night.
Also unable to sleep was Helmo. He was lying on the big soft bed. No, no, no! The children are still young, can not be without the mother, the family can not be without the role of the wife, otherwise it is not proper. Nora, what a fool. Did she think I'd let her go so easily? I've been so good to her these past eight years. How can a well-kept bird suddenly begin to yearn for the world? Did she not understand that the world had no place for a woman who had lost her husband's protection? This selfish woman, she must want to go out and get revenge on me and ruin my future. No way... I have to get her back. How else am I gonna explain this to the kids, to the company?
The more Helmo thought about it, the more determined he became. Nala has always been my little bird. How can she leave this house? Tomorrow, just go and bring her back.
The sun was shining on Nora's face, and it was more like Helmo's hand was on hers. Nora suddenly woke up and found herself in the chair tired little rest for a while. It's not Helmo. Her newly relieved heart was lifted again by a sharp and loud knock at the door, and an inexplicable feeling of oppression rose over her heart and choked her throat. She got up trembling, rushed to the door, and pressed herself against it. Waiting, a sound of footsteps up the stairs. 'Nora... He's coming, he says he's going to take you back..." Cristina was out of breath, and she spoke out of breath.
Nora's whole body jumped up, her heart paused for a second. She recovered her senses, quickly reached out, scooped up her shawl and hat from the ground, and swished open the gate. Cristina, panting, jumped in front of her, carrying packages and luggage hastily prepared for Nora. Nora's anxious mood felt a little relieved, she gratefully accepted: "Thank you, Kristina." "I don't know how you got to this point, but I support you to go out into the world and not be a captive bird forever." "She said.
From downstairs came Helmo's impatient roar. 'Nora, I know you're here! Come back! I promise it won't be like before... We'll be happy together again..." "It's time for me to go," Helmo's cry made Nora calmer, and she put on her shawl and hat again. "Where to?" "It doesn't matter where we go, as long as we get out of here. I knew that Helmo was still hanging on, waiting for me to return in disgrace after my fall, and I also knew that they believed that a woman could not live independently in this society. But I do. The bird in the prison always yearns to be free, to regain the glory of its feathers under the blue sky." Nora said, packing her bags. Cristina opened her mouth, wanting to say something, but not knowing how. She just smiled and nodded, and ran out the back door of the house with Nora.
They were flying down the street, carrying their luggage. Nala finally boarded a ship, a ship bound for an unknown destination.
'Nora! Have a good life! Write to me!" Cristina shouted loudly from the shore for the sea breeze to reach Nora's ear.
"Surely! Farewell, Cristina! ' Nora was standing on the deck, the sea breeze blowing her long hair and her skirt flying, and she was responding vigorously.
'Farewell, Nora! Cristina's figure shrank and disappeared with the sound of the ship's whistle. Nora put down her luggage and leaned against the railing. She looked down at the undulating water, glittering in the morning sun. The icy water that should have killed her was now carrying her to a new place. The water of the sea rises and falls, and the sea water after the spray is scattered, swept away the past, leaving a brand new life.
The birds facing the sea are singing.
Nora smiled at last.
A doll's house after Nora leaves
以下是帶重點(diǎn)詞匯的原文內(nèi)容：
諾拉在續(xù)集中離開了
砰的一聲，門關(guān)上了，諾拉離開了赫爾默。這不僅是對(duì)海爾的一記響亮的耳光，更是對(duì)男權(quán)社會(huì)、甚至拜金社會(huì)的一記響亮的耳光。但諾拉離開后發(fā)生了什么
就是回歸。對(duì)我來說，娜拉有兩種可能的結(jié)局。
第一，改嫁給另一個(gè)男人。諾拉并不討厭所有的男人，但討厭像赫爾莫這樣的人，她很可能會(huì)快樂地處理其他事情，掛上一個(gè)家庭。其實(shí)諾拉對(duì)愛情還是有一定的追求的，但這也反映出當(dāng)時(shí)的諾拉還是要依靠男人，畢竟當(dāng)時(shí)的女人還不能像現(xiàn)在這樣在經(jīng)濟(jì)上獨(dú)立，這更讓人意想不到
父權(quán)社會(huì)的禍害。
二、因無法忍受生活而自殺。這是我最不希望看到的，但這個(gè)結(jié)局將是對(duì)男權(quán)社會(huì)的打擊。婚后8年的諾拉長(zhǎng)期在家，社會(huì)交往少，不能完全了解社會(huì)的發(fā)展，很難找到一個(gè)合適體面又能養(yǎng)活自己的人，甚至可能為了謀生而做一些不光彩的事情，最終因?yàn)樯钭呷胨篮＿@也說明，在那個(gè)時(shí)代，女性很難完全獨(dú)立生活，惡資本也是她們?cè)竭^后的最后一根稻草，在男權(quán)社會(huì)，女性很難有機(jī)會(huì)露頭
如果諾拉，生活在今天，那么她很有可能有一個(gè)美好的結(jié)局，離開像海爾毛這樣的人，受過教育的諾拉完全有可能在今天的社會(huì)找到一份工作，對(duì)女性的歧視少了，女性也積極活躍在每一個(gè)崗位上，中國(guó)女足贏得亞洲杯，體現(xiàn)了女性的性格，而且現(xiàn)在女性也有了強(qiáng)烈的獨(dú)立意識(shí)。相信在未來，我們可以真正的建立一個(gè)男女平等的社會(huì)，不會(huì)有那么多的上述諾拉設(shè)想的結(jié)果
諾拉在續(xù)集2之后離開了玩偶之家
樓下的門關(guān)上了。
諾拉獨(dú)自快速地走在街上，她的手提箱在堅(jiān)硬的地面上發(fā)出咔噠的聲音，這是她一路上唯一發(fā)出的聲音。天很冷，她的頭腦一片混亂，她不知道該去哪里，也不知道下一步該做什么。行李箱的輪子碰到了石頭，撞了一下，聲音微微搖晃，在空氣中扭曲。諾拉累了，她想休息一下，心中的火焰不知怎么的，好像被冷風(fēng)吹走了。我們能在不知道路在哪里的情況下回去嗎?回到那虛偽的愛情之家?
諾拉環(huán)顧四周。拐角處有一家酒館。她走了進(jìn)去。她想考慮一下。
酒館里很熱鬧，男人拉著女人的手在跳舞，諾拉走到一個(gè)沒有燈光的地方坐下，要了一杯威士忌，酒很烈，她打了個(gè)寒顫。音樂聽起來很動(dòng)聽，她想:托瓦爾也曾經(jīng)這樣，他拉著她的手，跳著熱舞，穿著世界上最漂亮的衣服，跳著舞，旋轉(zhuǎn)著，有時(shí)托瓦爾把她抱在懷里，讓她吻她的耳朵，說:“親愛的，小云雀。”那時(shí)候，她自己也離不開托瓦爾，想要緊緊地依偎在他身邊，每當(dāng)她跳起來，托瓦爾就會(huì)輕輕地拉著她的手，讓她依偎在他的身上，如此溫暖，她曾以為這是世間唯一的幸福。
娜拉不經(jīng)意地?fù)P起嘴角，但當(dāng)她的目光再次落在那些跳舞女孩的身上時(shí)。
男人們擁抱著他們的同伴，就像托爾瓦擁抱娜拉一樣，那些身材和他一樣美麗的女人們，圍成一圈，隨著歌聲輕敲，然后男人們輕輕地從背后拉起她們，親吻并擁抱她們。
諾拉想她看著這一幕，為什么這一幕是那么熟悉，每一個(gè)動(dòng)作，每一個(gè)笑聲，仿佛在她自己生命中的某個(gè)時(shí)刻重演，上演。
她似乎和女人一樣，托瓦爾似乎和男人一樣，每個(gè)人都一樣，就像影子一樣。世界的每一個(gè)角落，都是彼此的影子。一雙，一雙，那些女人垂涎男人的肩膀，而男人享受女人的依偎，無一例外。
世界亂糟糟的，諾拉覺得渾身發(fā)抖，我們都在重復(fù)別人曾經(jīng)的經(jīng)歷，男人是相似的，女人是接近的，那我是誰?
“跳舞，我要跳舞了。”威士忌酒杯碎了，娜拉出現(xiàn)了。（)
諾拉走到大廳中央，她沒有舞伴，她也不需要舞伴，音樂漸漸變得火熱起來，她開始旋轉(zhuǎn)，張開雙臂，也許風(fēng)從她耳邊呼嘯而過，不羈，自由!她轉(zhuǎn)得越來越快，笑聲越來越響，這是一個(gè)她從未有過的時(shí)刻，這一刻她和每個(gè)人都不一樣，男人和女人都對(duì)她感到驚訝，眼睛很奇怪，但諾拉怎么能在意呢?她的腳隨著音樂起舞，她的手隨著節(jié)拍起舞