高考英語(yǔ)作文 大器晚成800字議論文
更新時(shí)間：2024-05-23 21:11:33作者：貝語(yǔ)網(wǎng)校
高考英語(yǔ)作文 大器晚成800字議論文English composition
以下是翻譯的英文版本內(nèi)容：
Late bloomer Argumentative essay 1
Become famous sooner or later
Grade 3 (2) Wu Wanxing
We can't keep the pace of time, we can't guess the trajectory of fate. But if because of this, there is the anxiety of becoming famous too late, leaving no good name, but it is too alarmist. No matter whether we become famous sooner or later, our "merits" will surely last; Whether we are young or not, we should keep the same demands on ourselves.
Heroes don't ask where they come from. Standing on the coast of history, there is no shortage of late bloomers since ancient times. When Liu Bang uprising people to middle age, and finally defeated Xiang Yu is gray hair, but when he looked at the unified world, Gao sang "the wind rises, the clouds fly", how will the history books not leave him the prestige of the first emperor of the Han Dynasty? The story of Jiang Taigong fishing is still familiar, and history is never biased because heroes are getting old. So what do we have to worry about?
On the contrary, how many of those who were surprised and brilliant in their youth, how many have fallen halfway through the long journey of life? In the 1980s and 1990s, young geniuses were popular and attracted the attention of society at a young age. Some of them were sent to college, and some went abroad for further study, and gained countless fame. But they were never mentioned again. This is because a child known as "China's first prodigy" has chosen to become a monk, or even choose to commit suicide. It is not a good thing to put a good name on a child too early, and they may not be able to withstand the ensuing pressure. Zhong Yong's injury has not gone far, we should see the abyss behind the good name. Enrich yourself, accumulate precipitation, do not have to ask the time sooner or later, in the moment of adequate preparation to meet their own "reputation". That way, we can really have it.
Jung said, "He who looks outward is dreaming; he who looks inward is awake." Whether famous or not, we should not be so greedy for fame that we ignore self-examination. Mo Yan does this very well. He was not "crushed" by the fame of the Nobel Prize, and like many Nobel Prize winners, he was obsessed with fame and stopped doing something. He refused visitors, retired for many years, and reappeared with The Late Bloomer. Years of precipitation, his words more thick. It was his strict demands on himself that made him famous for the Nobel Prize, but he did not stop at the Nobel Prize.
Fame does not come sooner or later, and external fame is not our eternal pursuit. "Everyone is a fire, and people passing by see only smoke." Our ultimate achievement, the fire burning inside me. These have long exceeded external fame. And these flames, they make us immortal.
Late bloomer Argumentative essay 2
A good bloomer comes late
Grade 3 (1) Zhang Yimeng
In today's fast-paced society, utilitarianism prevails, people are eager to become famous overnight, eager to be young, eager to find a shortcut to success. It is also because of this impetuous heart that we will issue the feeling that life is short and famous too late. Little do we know that we are farther and farther away from real success.
Throughout the ages, although there are talented or lucky people can quickly become famous, but more, or accumulated reputation. It is thousands of times to create a master craftsman, it is the decades of sweat under the stage to water the dancers bloom on the stage, it is the hard work day after day year after year to help the students from the poor family to win the title...... From this point of view, accumulation is the magic weapon that the master will win. The success brought about by taking shortcuts is likely to be just a glass of water, a touch is scattered; Or like a flash in the pan, fleeting.
Fame is something that can't be rushed. What's more, being famous at a young age isn't always a good thing. If there is not enough polishing, the heart is not calm enough, it is difficult for us to keep calm in a wave of boast, not arrogant and impatient, and eventually repeat the mistake of Fang Zhongyong. In addition, the wood is beautiful and the wind will destroy it. Being the first to shine among your peers also means being the first to suffer from the oppression of jealous people. If you don't have enough ability to protect yourself at this point, then a great success can only become a failure.
What's wrong with being a late bloomer? This is not only the pursuit of quality, but also responsible for their own. A rough rod makes a rough rod. Only through grinding and carving over and over again, the jade can bloom its brilliance. As Mo Yan said, late ripening is a pursuit, a pursuit of the quality of sharpening a sword in ten years, rather than the pursuit of the speed of sharpening ten swords in a year. Only high-quality success can still shine after the big waves. This is a well-deserved reputation to pass on.
Late bloomers are also responsible for themselves. It won't drop you from the sky to the bottom; And set you on a steady path to success. The late one is the big one, which is the peak work after countless polishing. Just as after the trials and tribulations of you, with the heart of humiliation, with the ability to shield yourself from the wind and rain, then you will also have an unshakable reputation. That is true success. It is not as illusory as a mirror, as short-lived as a flash in the pan, as elusive as a mirage. It is based on the suffering you have endured, based on your sweat as a brick, really stands in front of your eyes, indestructible.
Compared with those illusory and short-lived fame gained early, isn't the real success obtained under the accumulation of wealth more valuable? As long as you are not arrogant and impetuous, you will be able to write your own chapter in life.
Late bloomer argumentative essay 3
Don't be afraid of late ripening
Senior 3 (2) Class Jin Lu
The wind rises from the ground with enviable speed. So some people sigh that life is short and fleeting, and the reputation does not stay, they want to hurry with the wind, want to ride the wind. But fame without weight is thin and barren. Life is short, but we should polish ourselves carefully, so that our spiritual soul has a heavy accumulation. Because of this, why are we afraid of late maturation?
Zhang Ailing said: "Fame is early, come too late, happiness is not so pleasant." Qu Zi also in the "Li SAO" thrown feeling "the old is coming, afraid of not standing", we are anxious about the passing of time, life is short and famous too late, so some people cut their heads as soon as possible to become famous, and worry about not leaving a good name, into the endless Mobius ring, tired to run, vain life. It is often seen that ordinary people become popular in talent shows, but when the craze has passed, how many people remain in the public memory? If there is a rush to ride the wind, and there is no lasting output of high-quality works, then the dazzling halo of fame will only be fleeting like a meteor, and then it will fall heavily and fade from people's minds.
Bi Shumin once wrote a paragraph to the effect that trees, three or five years of life as firewood, only ten years of roots can become wood. The course of life is nothing more than the contest between "wood" and "material". The traffic outside the window is busy, the famous river flow, colorful people's will, gorgeous people's mind, how many people can calmly gently cover the window, quietly turn around to polish their own slowly? This is a great steadiness and courage, is sworn to give weight to their own life boxing determination.
Mo Yan walked into the Nobel Prize for Literature with "Red Sorghum", "once famous in the world", almost everyone knows his reputation, but Mo Yan still settled down to write, published his new work in August 2023, "Late Maturity", he said in an interview that late maturity is "a strict requirement for themselves, but also a pursuit." This is difficult not to cause our deep thought, Mo Yan is not afraid to grow with time, let oneself mature late, why don't we calm down to exercise their wings, polish their minds, through continuous practice, growth and cultivation, so that the soul in the years of fermentation sublimation, in order to better wind up, lasting flight?
And further to speak, our journey of life, more is not whether famous, when famous, we come to this world to walk once, in order to let life have the depth and thickness of the bones, so that life bags full of aromatic wine, so that we are afraid of late maturity?
Such as cutting, such as polishing, such as grinding, not afraid of late ripening, let oneself have weight.
Argumentative writing is a late bloomer
以下是帶重點(diǎn)詞匯的原文內(nèi)容：
大器晚成議論文 篇1
成名不問(wèn)早晚
高三（2）班吳宛幸
我們留不住時(shí)間的腳步，我們猜不到命運(yùn)的軌跡。但倘若因此而有出名太晚，美名不留的焦慮，卻也太過(guò)杞人憂天。無(wú)論出名早晚，我們的“功績(jī)”必然長(zhǎng)留；無(wú)論是否年輕，我們對(duì)自己的要求也應(yīng)不改。
英雄不問(wèn)出處，功成不問(wèn)早晚。站在歷史的海岸邊漫溯，自古不乏大器晚成之人。劉邦起義時(shí)以人到中年，最終擊敗項(xiàng)羽更是蒼顏白發(fā)，可當(dāng)他望著一統(tǒng)的天下，高吟“大風(fēng)起兮云飛揚(yáng)”之時(shí)，歷史書(shū)上又怎么不會(huì)留下他漢朝開(kāi)國(guó)皇帝的威名？姜太公釣魚(yú)的故事依舊耳熟能詳，歷史從不會(huì)因?yàn)橛⑿鄞勾估弦佣惺H。既如此，我們又有什么可焦慮的呢？
反觀那些少年時(shí)期便驚才絕艷的天之驕子們，在漫漫的人生之旅中，中途隕落的又有多少？八九十年代的時(shí)候，少年天才曾頗受追捧，小小年紀(jì)便吸引了社會(huì)目光。他們有的被保送大學(xué)，有的出國(guó)深造，收獲美名無(wú)數(shù)?？伤麄兒髞?lái)卻不再被提起。這是因?yàn)橛幸晃惶?hào)稱(chēng)“中國(guó)第一神童”的孩子選擇了出家，更有甚者選擇了自殺。美名過(guò)早地傾壓在孩子身上并不是好事，他們并不一定能夠承受得住隨之而來(lái)的重壓。仲永之傷仍未走遠(yuǎn)，我們應(yīng)看到美名背后的深淵。充實(shí)自己，積累沉淀，不必問(wèn)時(shí)間早晚，在準(zhǔn)備充足的時(shí)刻迎接屬于自己的“盛譽(yù)”。這樣，我們才能正真擁有它。
榮格說(shuō)：“向外張望的人都在做夢(mèng)，向內(nèi)審視的人才是清醒的。”無(wú)論成名與否，我們都不能因貪戀美名，而忽略了自我審視。這一點(diǎn)，莫言就做得非常好。他沒(méi)有被諾獎(jiǎng)的美名“壓垮”，像很多諾獎(jiǎng)獲得者一樣汲汲于名譽(yù)而不再有所力作。他謝絕他人來(lái)訪，閉關(guān)多年，攜《晚熟的人》再度亮相。多年沉淀，他的文字更加厚重。是他對(duì)自己的嚴(yán)格要求，讓他成名于諾獎(jiǎng)，卻不止步于諾獎(jiǎng)。
成名不問(wèn)早晚，外在external； extrinsic；的名譽(yù)也不是我們永恒的追求。“每個(gè)人皆是一團(tuán)火，路過(guò)的人只看到煙。”我們最終的成就，我內(nèi)心熊熊的火焰。這些，早已超過(guò)了外在external； extrinsic；的名譽(yù)。而這些火焰，使我們不朽。
大器晚成議論文 篇2
厚積薄發(fā)to rise abruptly based on its accumulated strength；大器晚成
高三（1）班張藝檬
在現(xiàn)在這個(gè)快節(jié)奏的社會(huì)中，功利主義盛行，人們都渴望一夜成名，渴望年少有為，渴望能找到成功的捷徑。也正因這種浮躁之心，我們才會(huì)發(fā)出生命短暫而出名太晚的感慨。殊不知，我們已離真正的成功越來(lái)越遠(yuǎn)。
縱觀古今中外，固然有天賦異稟或運(yùn)氣極佳之人能快速成名，但更多的，還是厚積薄發(fā)to rise abruptly based on its accumulated strength；帶來(lái)的聲譽(yù)。是成千上萬(wàn)次的反復(fù)造就了一位位工匠大師，是臺(tái)下的數(shù)十年汗水澆灌了舞臺(tái)上綻放的舞者，是日復(fù)一日年復(fù)一年的刻苦助寒門(mén)humble family；學(xué)子金榜題名……由此觀之，厚積薄發(fā)to rise abruptly based on its accumulated strength；才是高手必勝will most certainly win； cannot fail or be defeated；的法寶。走捷徑帶來(lái)的成功很可能只是鏡花水月，一觸即散；或如曇花一現(xiàn)，轉(zhuǎn)瞬即逝。
成名是一件不能急于求成的事。更何況，年少成名不一定是件好事。若是沒(méi)有足夠的打磨，心性還不夠沉穩(wěn)，我們也很難在一波又一波夸耀中保持淡定chillax；，不驕不躁，最終重蹈方仲永的覆轍。再者，木秀于林風(fēng)必摧之。于同齡少年中率先展露鋒芒，也意味著率先承受來(lái)自嫉妒之人的打壓。若此時(shí)你還沒(méi)有足夠的能力保護(hù)自己，那一鳴驚人只能變?yōu)橐粩⊥康亍?br />
大器晚成又何妨why not； might as well；？這不僅是對(duì)質(zhì)量的追求，更是對(duì)自己的負(fù)責(zé)。玉不琢，不成器。只有經(jīng)歷一遍又一遍的打磨雕琢，美玉才能綻放屬于它的光華。正如莫言所說(shuō)，晚熟是一種追求，一種對(duì)十年磨一劍的質(zhì)量的追求，而非對(duì)一年磨十劍的速度的追求。唯有高質(zhì)量的成功，才能在大浪淘洗之后依舊熠熠bright； glistening；閃光。這才是當(dāng)之無(wú)愧的嘉名流傳。
大器晚成也是對(duì)自己的負(fù)責(zé)。它不會(huì)讓你一下從云端跌入谷底；而能讓你穩(wěn)步走向成功。晚成的是大器，是在經(jīng)歷無(wú)數(shù)打磨之后的巔峰之作。正如在歷經(jīng)風(fēng)雨磨難之后的你，擁有了寵辱不驚remain indifferent whether granted favours or subjected to humiliation；的心性，擁有了為自己遮風(fēng)擋雨的能力，那么，你也將會(huì)擁有不可撼動(dòng)的名聲。這才是真正的成功。它不如鏡花水月般虛幻，不如曇花一現(xiàn)般短暫，不如海市蜃樓般可望而不可及。它以你經(jīng)受過(guò)的苦難為基，以你的汗水為磚，真真實(shí)實(shí)得矗立在你的眼前，堅(jiān)不可摧。
比起那些早早獲得的虛幻而短暫的名聲，厚積薄發(fā)to rise abruptly based on its accumulated strength；之下得到的真正的成功，不是更具價(jià)值嗎？只要你不驕不躁，砥礪前行，定能譜寫(xiě)屬于自己的人生華章。
大器晚成議論文 篇3
何懼晚熟
高三（2）班金璐
風(fēng)自地上刮起，其速度令人艷羨admire； envy；。于是有人感嘆人生短暫易逝兮而美名不留，便欲匆匆隨著風(fēng)去，想要乘風(fēng)扶搖而上。然，沒(méi)有重量的成名終究單薄貧瘠。生命雖是短暫，但要將自己仔細(xì)打磨，使自己的精神靈魂有厚重積淀。正因如此，我們何懼晚熟？
張愛(ài)玲說(shuō)：“出名要趁早呀，來(lái)得太晚，快樂(lè)也不那么痛快。”屈子亦在《離騷》中拋出感慨“老冉冉其將至兮，恐修名之不立”，我們焦慮于時(shí)光易逝、生命短暫而出名太晚，于是有人削尖腦袋趁早出名，而又焦心于美名不留，陷入無(wú)窮無(wú)盡的莫比烏斯環(huán)中，疲于奔走，虛浮impractical； superficial；一生。常可見(jiàn)素人在選秀類(lèi)節(jié)目中一炮而紅，但當(dāng)熱潮過(guò)去，留在大眾記憶中的還有幾人？倘若匆匆乘風(fēng)而上，而沒(méi)有持久的高質(zhì)量作品的輸出，那剎那間成名的耀眼光環(huán)僅會(huì)如流星般轉(zhuǎn)瞬即逝，轉(zhuǎn)眼便重重跌落，淡出人們腦海。
畢淑敏曾寫(xiě)過(guò)一段話，大意是樹(shù)木，三年五年生當(dāng)柴，唯有十年百年扎根的樹(shù)木才能成材。生命的歷程，無(wú)非是當(dāng)“柴”與當(dāng)“材”的較量。窗外車(chē)水馬龍，名利川流，繽紛了人的意志，絢爛了人的心神，有幾人能從容地輕輕掩上窗扉，靜靜地轉(zhuǎn)過(guò)身去將自己慢慢打磨？這是莫大的沉穩(wěn)和魄力，是誓為自己生命賦予重量的拳拳決心。
莫言憑《紅高粱》走進(jìn)諾貝爾文學(xué)獎(jiǎng)殿堂，“一朝成名天下知”，幾乎人人皆知他響亮的名聲，但莫言依舊沉下心來(lái)寫(xiě)作，于2023年8月出版新作《晚熟的人》，他接受采訪時(shí)表示晚熟是“對(duì)自己的嚴(yán)格要求，也是一種追求”。這很難不引起我們的深思，莫言尚不懼隨時(shí)間成長(zhǎng)，讓自己晚熟，我們又何不靜下心來(lái)鍛煉自己的羽翼，打磨自己的心智，通過(guò)不斷實(shí)踐、成長(zhǎng)而養(yǎng)深積厚，讓靈魂在歲月中發(fā)酵升華，以便更好地迎風(fēng)而上、持久翱翔呢？
而往更遠(yuǎn)了講，我們的人生之旅，更不在于是否成名、何時(shí)成名，我們來(lái)這世間走一遭，為的是讓生命有刻骨的深度和厚度，讓人生行囊盛滿芳香美酒，這樣說(shuō)來(lái)，我們又何懼晚熟？
如切如磋，如琢如磨，不懼晚熟，讓自己擁有重量。
大器晚成議論文